27 may, 2026 – 2027
Room Amparo. Second floor.
Curator: Eduardo Valiña
Based on a life of constant travelling, a discourse is configured that arises by chance from the game in which the artist and her partner carry out a plastic activity with a didactic purpose, without the objective of configuring a project that has a transcendence beyond the purpose for which it was created.
This fact will serve as a trigger for the artist to begin to build a discourse through the collage technique in which she represents her concerns from a female perspective, putting gender imbalance in the foreground, using images that contrast the imbalance in different areas of society, confronting images of women from different parts of the world to denounce injustices in the face of the impositions of patriarchy.
In this sense, the artist uses different resources, always with an irony that opens a dialogue in which humour functions as a lure to show images in which the relationships between male and female are questioned, as well as other issues related to gender, by means of an intimate analysis featuring different creative stages in line with her itinerant life in relation to exile.
On the other hand, an attempt will be made to relate the different themes to which the artist resorts, such as environmental problems that arise through natural elements, residual areas or activities that may pose a risk to ecosystems. In this case, the composition is established as a game to decipher various factors that are directly related to the human landscape and interventions in the environment, assuming a clear denunciation in which gender and context are linked.
Amparo always starts from the domestic space, the house is the starting point, a place that she herself configures as habitable and a reference of representation that is manifested through an accessible technique, collage works as a portable project, easy to transport like her own life and her legacy that does not get to be exhibited because it coexists in an internal system of production.
Analysing this commitment means delving into the female gaze in an analogical world that produces from couché paper the demands of a domestic feminism that uses the material as a necessary weapon to open the doors to a scenario of equality.